These long format images explore the construction of an imaginary Other.
The encounters between the figures often leave one figure unaware of the other, drawing into the scenario a notion of the potentially voyeuristic nature of film and photography. These encounters may be real, or imagined by the characters.
These images are made by moving the camera sideways in increments along a linear trajectory, creating a series of images of the scene. These are blended together to form a seamless single frame that contains multiple perspective viewpoints and combines the filmic progression of narrative into a single frame.
A stage is constructed on which the narrative plays out.